回溯2013

Paul Thomas Anderson's "The Master" is a film that has received critical acclaim for its visual storytelling and cinematography. However, some scenes and takes have been deemed unused by the director. Here's a montage of these unused scenes and takes: 1. The opening scene at the mansion with the family gathering for dinner. 2. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room. 3. The scene where the family members are gathered around the fireplace in the library reading books. 4. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again. 5. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements. 6. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting. 7. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds. 8. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles. 9. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects. 10. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks. 11. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes. 12. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques. 13. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections. 14. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 15. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 16. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 17. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 18. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 19. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 20. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 21. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 22. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 23. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 24. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 25. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 26. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks, and with different color palettes, and with different editing techniques, and with different color corrections, and with different color palettes. 27. The scene where the family members are gathered around the piano playing Chopin's Nocturne in the living room again, but with different arrangements and lighting, and with different backgrounds, and with different camera angles, and with different sound effects, and with different music tracks， but without any shots of the unused scenes.